![]() ![]() The tower is materialized in plain white, contrasting with the above. The materiality tries to accompany that symbolism of protection that the oratory provides, through a rustic concrete envelope and a stone floor in the space of use, which try to symbolize a place of refuge for the pilgrim. In addition to the light, the rain also enters through this opening, thought of as inclement weather, which is always present on the pilgrim's path and in front of what the spiritual space of the oratory provides containment. The sunlight was studied, ensuring that the entry of natural light was given the greatest amount of time, both in hours of the day and in months of the year. It is resolved with a shell that completely envelops this space and leaves only a zenith slit for the entry of natural light, strategically positioned on the cross and symbolizing spiritual illumination. A stripped-down area, where light is the main protagonist and those present find seclusion. Satisfaction Guaranteed.The interior space seeks to be a pause within the convulsed rhythm of movements of the environment and of daily life, for which it was sought to recreate an atmosphere of calm and peace. The Retablos range in size from 9" to 13" inches tall and are 5 1/2" wide by 3/4" thick.įrom Made in New Mexico. Ornaments range in size from 4" to 6" tall by 2 1/2" to 3" wide by 1/8" thick. The Ornaments are hand printed on a masonite board with a thread for easy hanging. Most are available as either an ornament or a wall hanging. Includes a statement about the saint on the reverse side. I produce these prints with a deep appreciation of the santero and what has come before". ![]() My original Retablos are painted on board with watercolor. The profound devotion found in the different traditions and faiths here are unusual and inspiring. I am nourished by Northern New Mexico's rugged wildness and rawness. Speaking of her work, Lynn says, "The diverse cultures and the landscape of this part of the country deeply and yet unintentionally influenced me both artistically and spiritually. Then she decoupages high quality prints of her originals onto pine boards, in an old school technique used for the Italian altar screens of medieval Europe. Lynn handcarves and paints her original designs on the traditionally used ponderosa pine planks. ![]() Moved by the sacred art of the retablo paintings and the santeros (saint makers) who made them, she started creating them herself. She is a long time resident of Taos, New Mexico. ![]() To create these heart-felt paintings of saints, angels and blessings, Lynn has brought to the folk art of Retablo making, all the skills and passions that she has learned through a lifetime of drawing, woodworking and painting. Lynn Garlick Retablos grew organically over a period of 20 years. The night before they were to amputate his foot, he prayed that Christ would come down off the cross and heal his foot. Later in his life he developed foot cancer. He had a reputation of being a good confessor and great preacher. In penance for his past, he did not sit down for 30 years. Finance Buy a minimum of 50 shares at SOGEHP DOGTA LAFIE Top Reference Hospital for. When a papal legate came to town, Peregrine punched him in the nose. He was anti-papal Guelphs and in favor of the Imperials. Peregrin was born to a wealthy family in the 1200's and he became a political activist. Patron of Cancer Patients, AIDS Patients Invoked against Illness. ![]()
0 Comments
Leave a Reply. |